‘The works in Obscura consider the role of the camera in diagnosing and treating patients at the Salpêtrière. By referencing techniques in the development of photography, and in his depiction of various angles of the asylum chapel, Nugent considers the relationship between photography and painting to imply a presence or semblance of place associated with historical and institutional environments’
Extracted from, Asylum Chapel, a contextual essay by Ingrid Lyons. Full text available here.
Paul Nugent lives and works in Dublin. Recent solo exhibitions include NIGHTSHADE, Kevin Kavanagh, Dublin (2015), a solo presentation at VOLTANY, New York (2011), Remembrance Part I & II, Kevin Kavanagh, Dublin and Remembrance, Kerava Art Museum, Finland (2009). Selected group exhibitions include Many Worlds, Centre Culturel Irlandais, Paris (upcoming Sept, 2017), Golden Record, Galway International Arts Festival, Galway Arts Centre (2017), Trove, Irish Museum of Modern Art, Dublin, curated by Dorothy Cross (2015), In Darkness Let Me Dwell, Solstice Arts Centre, Navan (2015), Prelude Speaker, Group show, Castletown House, OPW in partnership with Crawford Art Gallery (2013), Last, Douglas Hyde Gallery, Trinity College Dublin (2011) The Painter, the Draughtsman, the Dealer and their Lovers, Voges Gallery, Frankfurt, Germany (2011) and What Happens Next is a Secret, Irish Museum of Modern Art, Dublin, curated by Marguerite O’ Molloy (2010). Nugent was awarded a residency at the Centre Culturel Irlandais, Paris in 2005 and he has been the recipient of the Visual Arts Bursary, multi-annual award, The Arts Council/An Chomhairle Ealaíon in 2004-2006 and 2008. His work is held in numerous public and private collections both in Ireland and internationally including the Office of Public Works, the Irish Museum of Modern Art and DCU (Dublin City University).