Boyle Arts Festival officially opens on Thursday, 24th July at 8.30pm in King House. A number of gallery artists have work in the main exhibition; Paul McKinley, Dermot Seymour, Mick O’Dea, Robert Armstrong, Oliver Commerford, Sonia Shiel, Nevan LaHart, Mark Swords, Stephen Loughman, Margaret Corcoran, Geraldine O’Neil, Paul Nugent, Vanessa Donoso Lopez, Sinead Ní Mhaonaigh and Diana Copperwhite. More info on the BAF can be found here
1 August – 2 November 2014
Lewis Glucksman Gallery
University College Cork
Artists: Adam Chodzko, Petra Feriancova, Petrit Halilaj, Ho Rui An, Jochen Lempert, Flo Maak,
Chris Marker, Wesley Meuris, Ciarán Murphy, Vanessa Safavi, Julia Schmid, Sonia Shiel, and
Ruth van Beek
Curated by Chris Clarke, in partnership with BEES (Biological, Earth and Environmental Sciences),
University College Cork
Fieldworks is an exhibition of Irish and international contemporary artists whose work explores the
environments inhabited by different species of animals. From remote woodlands to urban locales to
artificial or scientific displays, the study and observation of animals often requires us to experience these
creatures in the wild or through a careful re-creation of their natural dwellings. This exhibition takes a
closer look at such places, offering insight into how animals forage, nest and play and how their
habitats are represented in contemporary art.
Opening reception Thursday July 3, 6pm.
Exhibition continues from July 4 until August 2, 2014.
A collection of works celebrating twenty years in business.
Paul Nugent,Sean Lynch, Nevan Lahart, Diana Copperwhite, Elaine Byrne, Sonia Shiel, Tadhg McSweeney, Danny Rolph, Oliver Comerford, Stephen Loughman, Vanessa Donoso Lopez, Paul McKinley, Anna Bjerger, Ulrich Vogl, Michael Boran, Mick O’Dea, Robert Armstrong, Mark Swords, Sinéad Ní Mhaonaigh, Dermot Seymour, Amanda Coogan, and Geraldine O’Neill.
An Exhibition to Mark the 15th
Dunamaise Arts Centre
Featuring recent work by a selection of artists from Kevin Kavanagh Gallery including Sean Lynch (recently selected
to represent Ireland at the 56th International Art Exhibition – The Venice Biennale 2015—which has for over a century been one of the most prestigious cultural institutions in the world); Vanessa Donoso Lopez and Tadhg McSweeney as well as a selection of works by
artists from Kevin Kavanagh Gallery including Nevan Lahart, Paul McKinley, Michael Boran, Ulrich Vogl, Mick O’Dea, Diana Copperwhite, Elaine Byrne, Robert Armstrong, Geraldine O’Neill, Dermot Seymour, Sinead Ní Mhaonaigh and Stephen Loughman.
Dunamaise Arts Centre’s Gallery has hosted exhibitions by Irish and international artists and organisations from the length and breadth of the country as well as further afield since its opening in 1999. A landmark event was the exhibition and auction, held in 2003, in memory of Noreen O’Hare, who had been a board member at Dunamaise. Over €75,000 was raised in aid of the Cancer
unit at St James’ Hospital in Dublin. Also counted among the highlights were exhibitions by artists such as Bernadette Madden, Micky Donnelly, Mick O’Dea, Tom Molloy, Una Sealy and Conor Walton as well as German arist Ulrich Vogl on their exhibitions at Dunamaise. As well as the programme of solo shows, the end of year show by art students at the local Abbeyleix Further Education Centre and the arts centre’s own Open Submission, has become a favourite fixture in the annual calendar. There have also been collaborations with the OPW, UTV, Portlaoise Camera Club and with Portlaoise Prison.
Kevin Kavanagh is one of the Ireland’s leading galleries showing Irish and international contemporary art. In 2008 the gallery moved to a 135m² space on Chancery Lane designed by architect Philip Crowe of MCO Projects. It represents both established and emerging artists from Ireland and abroad. The gallery’s annual programme consists of 8/9 solo and 1 curated group show as well as special events, screenings, performances, artists talks and participation at international art fairs.The gallery has published over 30 books on art.
The exhibition is organised by Kevin Kavanagh to mark the 15th Anniversary of Dunamaise Arts Centre and continues until Friday 1st
Picture Above: Tadhg McSweeney, Untitled, Mixed media dimensions variable, 2013
Mark Swords, Paul McKinley, Sinéad Ní Mhaonaigh & Robert Armstrong.
Kevin Kavanagh will present a unique show featuring four Irish contemporary painters with work focusing on landscape, architecture, object orientated philosophy and theology.
Sinéad Ní Mhaonaigh b. 1977, Contours at Kevin Kavanagh, Dublin, Farmleigh (forthcoming), Paintings, Centre Culturel Irlandais, Paris, Paintings Highlane’s Municipal Art Gallery, Drogheda, Ireland, Paintings, The Living Room Gallery, New York, Selective Perspectives, Kevin Kavanagh, Last, Douglas Hyde Gallery, Dublin. Mark Swords, b.1977, Hinterlands, Kevin Kavanagh, Flying crooked, Kevin Kavanagh, Mark Swords, John Martin Gallery, London, Mark Swords, Ashford Gallery, RHA Gallery, Dublin, I won’t say I will see you tomorrow, Mermaid, Wicklow, Periodical Review, Pallas Projects, Dublin, Making Familiar, TBG+S Dublin, Painting Now, Ron Mandos, Amsterdam. Paul McKinley, b.1973, RHA Gallery, Dublin, Operation Turquoise, Kevin Kavanagh, Palisade, Third Space Gallery, Belfast, CANADA, Kevin Kavanagh, Farewell Chestnut Avenue, Nissan Art Project, Royal Hibernian Academy, Dublin, So long and thanks for all the snow, Old Museum Arts Centre, Belfast, 6th Annual Art Salon, Matt Roberts Gallery, London, UK, Interlude,The Douglas Hyde Gallery, Dublin. Robert Armstrong, b .1953, Assumptions, Kevin Kavanagh, New Connections, Red Rua, Dublin, The Horse Show, Kinsale Arts Festival.
Sean Lynch will represent Ireland at the Venice Art Biennial 2015. Here
Diana Copperwhite, Seán Scully, Eilis O’Connell & Alice Maher stamps. Here
Vanessa Donoso Lopez & Diana Copperwhite included in group show. Here
Solstice Arts Centre,Navan,Until Saturday 7 June, 2014
A blow by blow account of stonecarving in Oxford
12 April – 8 June 2014
A blow-by-blow account of stonecarving in Oxford is an installation by Sean Lynch exploring the work of the nineteenth century stone carvers, John and James O’Shea, whose naturalistic renditions of animals and plants are still visible in the architectural detail of buildings in Oxford and Dublin.
Sean Lynch investigates distinctive and often overlooked moments in history that have left fragments of evidence, objects and narratives. He explores these sidelined histories through photographic and sculptural installations, prefabricated or found artefacts and small-scale publications.
The O’Shea brothers had completed a series of notable stone carvings in Dublin during the 1850s before accepting an invitation from the University of Oxford to work on the new Natural History Museum. Controversy quickly surrounded the O’Shea’s carvings of primates on the museum’s façade, as many people interpreted the work as a representation of
Darwin’s theory of evolution, a contentious and powerful subject within theological, intellectual and social debates of the time.
Following a quarrel between the O’Sheas’ and the University, James O’Shea attempted a series of impromptu carvings on the entrance to the museum intended to caricature the authorities of Oxford as parrots and owls. These carvings are still visible on the building today.
Lynch activates this story through a variety of objects sited throughout the exhibition. Subtly placed into the shop and café, a collection of material is exhibited about Favorite, a fried chicken outlet now found on what was once the site of Britain’s first public museum, the Ark, in Lambeth, London.
Artefacts from the Pitt Rivers Museum, the Natural History Museum and stone carvings by Dublin-based Stephen Burke each evoke the playfulness of the O’Sheas’ work. In Lynch’s accompanying slide projection, these seemingly unrelated objects come together to weave a narrative about museum culture, public space, individual agency and the construction of history.
in Graphic Studio Gallery Dublin-Sponsors’ Portfolio 2014. More details here
Harpers Bazaar names Coogan in 10 artists to watch.
See more details here.