Alice Maher

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Zephyr, Works on Paper

Claremorris Gallery, Mayo

1 – 6pm, Wednesday to Saturday until May 27th, and then until June 1st by appointment (087) 791 2337.

Maher’s reference points include art history, mythic narrative and, more recently, medical textbooks. Her shape shifting figures call down and mischievously intervene with the oft times problematic representation of the feminine throughout all of these fields. Zephuros was the god of the west wind in Greek mythology, and appears on many archaic world maps, blowing ships off course and keeping civilisation confined to the ‘known world’. In Maher’s watercolour, Zephyr, a giant female figure with covered eyes exhales a storm from her open mouth, like a modern dragon in her yellow swimsuit, while in her hand she holds a mysterious amoeba-like object. This mix of mythic, contemporary and scientific imagery hints at a world of continuous flux, where overlapping elements and intermediate states hold sway.

More information available here.

Mick O’Dea

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A Name Unmade: Francis Ledwidge (1887-1917)

Solstice Arts Centre, Level 3 Gallery

28th April – 16th June, 2017, Tuesday – Saturday 11am – 4pm

Mick O’Dea will take part in a group exhibition marking the centenary of the death of Francis Ledwidge. The exhibition, titled A Name Unmade: Francis Ledwidge (1887-1917), will also feature work by Sven Anderson, Patricia Burns, David Farrell, Clare Langan, Niamh O’Malley and Sasha Sykes, Curated by Sabina Mac Mahon (Curator in Residence at Solstice Arts Centre).

More information available here.

Stephan Loughman

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DIG?

Connolly House – Marino College of Further Education.

30th March to 6th April

Stephan Loughman is currently exhibiting a series of paintings at Connolly House, Dublin.

Further information available here.

Mark Swords

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The Living and the Dead

15 April – 17 June 2017

Temple Bar Gallery + Studios presents a solo exhibition of recent works by Mark Swords. For Temple Bar Gallery + Studios, Mark Swords has created theatrically staged paintings that have come into being through a series of gestures that juxtapose the idea of making and unmaking. The paintings, often overwhelming in chromatic saturation and design denote the artist’s instinctive knowledge of colour. Layers of mark-making create a screen through which the buried undertones and colours emerge. He consistently moves between abstraction and figuration looking for discoveries and accidents in his works, appropriating painting conventions to create a stylistic collage.  The hand-made is a significant element in his practice, printed fabrics are stitched to the canvas creating layers of shapes and forms, while the paint application can be both refined or crudely impasto. Within some of the paintings he has used draped curtains to create a framing device. A painted backdrop pinned to the wall becomes the larger framework for the paintings. These framing devices anchor the work in a celestial sphere creating associations between the paintings while playing with ideas of display and exhibition making, Swords creates a complex mosaic of works that can be viewed as a whole or singularly.

Artist Mark Swords will participate in a public conversation with Programme Curator Mary Cremin, on the occasion of his solo exhibition The living and the dead at Temple Bar Gallery + Studios.

Saturday 22 April 2017 | 1pm

Free admission, booking essential. Further information available here.

Diana Copperwhite

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Virtú

Friday 7th of April – Sunday 21st of May, 2017

Diana Copperwhite will take part in a group exhibition at The Hunt Museum. Virtú is a curated exhibition that explores the ongoing relationship between The Hunt Museum and LSAD. The exhibition includes 18 contemporary artists working in various disciplines and a collection of drawings from several collections including IMMA and The Hunt Museum.

These two strands of the exhibition presented side by side provide a platform for creative dialogue and contemplation of the relevance of the Museum and its collection. These important collections of artists’ work spanning generations and cultures have had an influence on a younger generation of artists. This show aims to reveal that art among other things is a conversation.

Further information available here

Vanessa Donoso-López

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Vanessa Donoso-López, No Fixed Colour Continuum

CANDYLAND, | Gotlandsgatan 76 | 11638 Stockholm | Sweden

17.3–2.4 2017

No Fixed Colour Continuum represents this constant misconception leading to an often feeling of displacement, forcing oneself to look back at how life use to be or would be like back home.

Cross-cultural interaction begins and ends with difference; new places, new behaviour, new language. It may seem that the inherent variability of cross-cultural interaction and biculturalism prevents any patterns or generalisations from being established. What is established however, is not a universal model or fixed pattern, but a universal motion of balancing between two cultures, being near and far, being different and accepted.

The displacement of the individual to an unknown geografic space, as a deliberated act of placing oneself in an alien context, becomes a journey not only spatial but vital, it transforms the traveler in the fundamental protagonist of a challenge that often gets initiated with the acceptation of loneliness.

 

More information available here

Alice Maher

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Hybrid Histories: Alice Maher in conversation with Catherine Morris

Wednesday, March 15 at 6:00 PM7:00 PM

Mhairtin Ui Chadhain Theatre, AB 2041B, Trinity College, Dublin

Visarts will present world-renowned Irish artist Alice Maher, and author/former cultural co-ordinator of Trinity College, Catherine Morris, for a one of a kind event. ‘Hybrid Histories: Alice Maher in conversation with Catherine Morris’ will see two of Ireland’s most prominent names in Irish art and culture discuss Alice’s long and fruitful career in both Ireland and abroad, as well as her involvement with the Artist’s Campaign to Repeal the Eighth and other projects. There will be a Q&A session with the audience at the end of the talk whereby you are invited to ask questions of your own.

Admission is free, more information available here.

Aileen Murphy

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Aileen Murphy will take part in a group exhibition at Privateoffspace, Frankfurt am Main, Germany. The show curated by Henning Strassburger and titled Pressing your face in wet grass will also feature work by Stephanie Koesling, Elif Saydam, Anders Dickson, Maximilian Arnold, Jan Zöller and Zoe Field.

The exhibition runs April 7th until May 14th, 2017.

More information available here.

 

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Sean Lynch

The Douglas Hyde Gallery, Dublin

February 17 – April 5
Sean Lynch will present an exhibition of new work at the Douglas Hyde Gallery, Dublin. Lynch’s videos and installations bring attention to overlooked, misunderstood, farcical or fabricated chronicles and narratives. The photographs are accompanied by the Tau Cross of Kilnaboy, a national monument of great cultural significance, which has been temporarily relocated to the Douglas Hyde Gallery for the duration of the show.

More info

Nevan Lahart & Paul McKinley

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Works by Nevan Lahart and Paul McKinley are included in this year’s Art of the State Exhibition 2016, entitled IAWATST. The exhibition opened in The Printworks, Dublin Castle in November and will travel to the The Alley Arts and Conference Centre in County Tyrone on December 13th before returning to The Lab in Dublin in February 2017.

Further information can be found here

 

Mick O’Dea

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Mick O’Dea will launch the exhibition, From Edge To Edge, in Glór, Ennis, Co.Clare on Friday December 9th at 6.30pm. The exhibition features work by Mick O’Dea, Aideen Barry, Brian Bourke, Barrie Cooke, John Gibbons, Seán Keating, Tom Molloy, Sidney Nolan, Deirdre O’Mahony, Jean Regan, Camille Souter and Samual Walsh.

More information can be found here

 

Alice Maher

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rwa_angela-carter_strange-worlds_alice-maher_cassandras-necklace_galleryWork by Alice Maher is being shown as part of Strange Worlds: The Vision of Angela Carter at the Royal West of England Academy, from December 10th 2016 – March 19th 2017.

More information can be found here.

Ulrich Vogl

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Alongside Hannah Beck-Mannagetta, Ulrich Vogl has curated the exhibition Never Shown on Purpose, opening 4th November, running until 14th January in CIRCLE1, Berlin

Diana Copperwhite

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depend-on-the-morning-sun

Diana Copperwhite’s exhibition, Depend on the Morning Sun, runs from October 27th till December 17th in  Gallery Thomas Jaeckel, 532 W 25th St, New York

Mick O’Dea

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m-cullen-2Work by Mick O’Dea is on show in Real Real, as part of the Imagine Arts Festival, Waterford from 20th – 30th October. More information can be found here.

Mick O’Dea

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odea-mick-stephen-821da1Mick O’ Dea’s portrait of Stephen McKenna is featured in ”Tradition and Innovation” a selection of work from the RHA collection as part of the Clifden Arts Festival. More information can be found here.

Alice Maher

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The Glorious Maid of the Charnel House, an exhibition of new watercolour drawings by Alice Maher, is at Purdy Hicks, London, from September 21st – October 15th. More information, including the new location of Purdy Hicks, can be found here.

Paul McKinley

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Work by Paul McKinley is included in COE ’16 New Century Retro – A Selection of COE Prizewinners, curated by Helen O’Donoghue. More info can be found here.

Ulrich Vogl

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Das Rheinrad, a gigantic “medieval film machine” by Ulrich Vogl will hang over the Rhine river in Constance, Germany until June 2017. The project is part of the official 600 year anniversary of the Council of Constance.

 

Ulrich Vogl and Elaine Byrne

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PERIPHERIES Centre for Creative Development, Gory School of Art.

The PERIPHERIES 2016 exhibition is a group show including the work of Elaine Byrne and Ulrich Vogl as well as a collaborative work from Oisin Byrne and Patrick Hough.

Opening Reception Friday 29th July 7.30pm. Gallery opening times 11am-6pm. Sat 30th July-Mon 1st of August

More information available in the PERIPHERIES programme.