Robert Armstrong’s painting, The Meeting, is on the cover of Pale Sister, a new publication by Colm Tóibín. Pale Sister, written by Tóibín for Irish actress Lisa Dwan, is a dramatisation of the voice of Ismene, the sister of Antigone, who recounts her sister’s defiance of the king as pressures mount on Ismene herself to act to vindicate her sister, or even follow her example. The world premiere of Pale Sister takes place at The Gate Theatre from October 31st.
Kevin Kavanagh is pleased to announce that In This Brief Time- Rabhlaí Rabhlaí by Geraldine O’Neill has recently been acquired by the Irish Arts Council.
The painting shall be included in an exhibition of works from the Arts Council’s collection taking place on Friday the 20th of September to mark the occasion of Culture Night.
For more information please see: https://culturenight.ie/event/the-arts-council/
‘Panting’ is a solo exhibition of paintings by Aileen Murphy at Temple Bar Gallery and Studios.
With this series of new paintings, Murphy responds to a fundamental set of questions: How can a painting remain open and yet still hold together? What is elastic space? How can painting complicate its own space, or abstract the figure? Furthermore, the artist states that each work also asks a different question, and each possessing a different voice.
Described by fellow artist Julia Dubsky as ‘recalciltrant’, Murphy’s paintings buck style and taste in a manner that draws out deeply human physical or emotional sensations such as laughing, crying, kissing, licking. When felt intensely, these are uncontrollable actions, and Murphy amplifies their physicality, sound and texture through a vivid palette and defiant gestural mark-making.
‘Panting’ runs from the 20th September to the 16th November 2019.
For more information, please see: http://www.templebargallery.com/gallery/exhibition/aileen-murphy
I Am What You’ve Come To See
Void Gallery, Derry
5th September – 1 November 2019
I Am What You’ve Come To See is a solo exhibition of work by Sonia Shiel currently on view at Void Gallery, Derry.
In all works of fiction there belies an agreement that the reader/the viewer will allow for a suspension of disbelief. For I Am What You’ve Come To See, Sonia Shiel has transformed the three gallery spaces into a circular narrative, casting the audience as its central protagonist.
The viewer is compelled to move through the galleries by a series of scripted audio-visual instructions, strategic objects and obtuse props that feign seemingly ungovernable chances – in a shapeshifting journey that is entirely staged.
For more information please visit: https://www.derryvoid.com/exhibitions/sonia-shiel.php#gallery
Kevin Kavanagh is delighted to announce that Kathy Tynan and Stephanie Deady have been nominated for the The Hennessy Craig award.
Established at the bequest of the estate of Patrick Hennessy and Henry Robertson Craig, the award is offered on a biannual basis to artists under the age of thirty five whose work has been shown in the Royal Hibernian Academy’s annual exhibition.
Paintings by Tynan and Deady are currently on view in the Tony Ryan gallery at the RHA as part of an exhibition of shortlisted artists accompanying the award.
For more information, please see: http://www.rhagallery.ie/exhibitions/the-hennessy-craig/
The Glebe Gallery / Office of Public Works in association with RTÉ & Earagail Arts Festival presents ‘21st Century Ireland in 21 Artworks’ at Glebe House and Gallery, Donegal. The exhibition is curated by Cristín Leach and looks at the island of Ireland since the turn of the century. All the artworks included in this exhibition were made in Ireland, about Ireland, and by Irish artists since 2000.
There are paintings, photographs, video works, sculptures, performances, and installations about home, money, bodies, risk, mental health, society, politics and more.
The exhibition opens Sunday 14th July at 3pm and runs until Sunday 1st September (Daily).
For more information see: http://www.eaf.ie/events/21st-century-ireland-in-21-artworks/
Elaine Byrne and Mick O’Dea are amongst the artists included in ‘Oidhreacht: Transforming Tradition’, opening Saturday the 13th July at the Highlanes Gallery Drogheda.
The exhibition will bring together a range of artworks from the 18th century to the contemporary moment exploring Irish traditional arts & culture. It will include diverse examples, some familiar, many not shown for some time, and will offer a sense of the wide range of representations and expressions of Irish traditional arts & culture in visual art and material culture both in historic and contemporary art.
Featuring; Jack Butler Yeats, Frederick William Burton, Elaine Byrne, George Campbell, John Cassidy, Simon Coleman, Ara Devine, Gerard Dillon, Laurence Fagan, Mike Fitzpatrick, Trevor Thomas Fowler, Joseph Patrick Haverty, Grace Henry, Paul Henry, James Humbert Craig, Seán Keating, Daniel Maclise, Philip Napier, Mick O’Dea, Alanna O’Kelly, George Petrie, Nano Reid, and Elizabeth Rivers
The exhibition runs until the 14th September 2019.
|Elaine Byrne will take part in The Watchers, a group show at the Foundation, New York, opening 11th July.|
The Watchers, an exhibition that focuses on the multi-faced nature of surveillance and privacy in contemporary society, and the subsequent production and obscuration of information and news, will be on view at the Foundation’s exhibition space, The 8th Floor, in New York City from July 11 through October 12, 2019. Artists in the exhibition includeVito Acconci, American Artist, Elaine Byrne, Lieven De Boeck, Anne Deleporte,Hasan Elahi, Karin Ferrari, Orkhan Huseynov, Pedro Lasch, Rafael Lozano-Hemmer,Cannupa Hanska Luger, Arnold Mesches, Trevor Paglen, and Amie Siegel.
The Watchers is loosely organized as a narrative about surveillance, presenting examples of stalking, sousveillance, fortified borders, facial recognition technology, as well as proposals for World Trade Center Memorials in cities across the world. Artworks featured in the exhibition that cite oppressive uses of tracking devices are juxtaposed with artistic manipulations of surveillance that model political agency and resistance. The exhibition sets the stage for dialogue examining the relationship between the technologies used to produce surveillance and the construction of news media.
|We are proud to announce that Diana Copperwhite’s painting, Shapeshifter, pictured above has been acquired by the National Gallery of Ireland for its collection. Copperwhite is one of the first contemporary artists to be acquired by The National Gallery of Ireland.|
The Carlow Arts Festival and VISUAL Carlow presents
ARTWORKS 2019: Dearly Beloved
04 June – 01 September
Featuring selected works from the Irish Museum of Modern Art Collection
Sinéad Ní Mhaonaigh will show work alongside Marian Balfe, Colin Crotty, Mark Cullen, Gabhann Dunne, Mary A. Fitzgerald, Jane Fogarty, Helen Hughes, Jo Kimmins, Breda Lynch, Jonathon Mayhew, Paul Mosse, Oisín O’Brien, Tom O’Dea, Laurence O’ Toole,Jane Queally, Joanne Reid, Amanda Rice, Emma Roche, Joan Sugrue, Chanelle Walsh, Linda Conroy and Fiona Reilly.
From the IMMA Collection: Pierre Huyghe, Mairead MacLean, Mark O’Kelly, Apichatpong Weerasethakul, Daphne Wright.
May the moon rise and the sun set
May the moon rise and the sun set is a solo exhibition of new installation, painting and collage work at UCC Music Department, Cork City curated by Chris Clarke and produced by The Glucksman as part of Cork Midsummer Festival 2019.
Exhibition opens 14th June 2019 and runs daily until 23rd June 2019.
Using the unique history and architecture of the building to create an ambitious large-scale installation artwork, the work includes paintings, drawings, sculptures, indigenous and religious art, paraphernalia (both found and fabricated) as well as objects including musical instruments, books, lights, rugs, carpets, clothing, scraps of paper, sketches, countercultural newspapers, playing cards, psychedelic posters and everyday detritus.
The installation also incorporates elements of sound and video work, including music composed from tape loops of pre-recorded repetitive drone, folk and psychedelic music, cut-up monologues and video from found sources. These materials reference makeshift shamanic shrines and dilapidated places of worship, sub-cultural interests in folk ritual and the hippie communes of the 1960s and 70s.
A transient midsummer offering, May the moon rise and the sun set exists only in this edition, for this time in this space.
Yorkshire Sculpture International; A festival of sculpture
Across Leeds and Wakefield
Saturday 22 June – Sunday 29 September 2019
Free and open to all
For Yorkshire Sculpture International, Sean Lynch will realise a project for the Henry Moore Institute Research Library based on the life and work of ‘Flint Jack’, a nineteenth-century Yorkshire antiquarian, vagabond and highly skilled artisan, who sold fake megalithic axe heads and ceramic and stone carving forgeries. Despite their lack of historical providence and verification, these objects still populate many UK museums.
Exhibition opening: 12/04/19 – 28/06/19
Opening reception: 12 April 2019 6-9pm
WATER MOUNTAIN – Robert Armstong – At the Academy of Visual Arts as Artist-in-Residence HONG KONG Baptist University
Opening Tuesday the 9th of April- 6pm- 8pm
MAKing Art: The PAINTing EXHIBITION , Draíocht Arts Centre
Address: The Blanchardstown Centre, Blanchardstown, Co. Dublin, D15 RYX6
Date: 14th of March – 18th of May, 2019
MAKing Art: PAINTing is the second in a series of exhibitions (2018-2022) particularly aimed at children and young people which explores a specific visual art discipline, its materials, processes and varied manifestations. Painting is the focus of this second exhibition (the first was drawing). It celebrates different approaches to the use of paint, to the act of painting and to the painting as finished artwork.
Curated by Sharon Murphy
Dorsky Gallery : 45th Ave, Long Island City, NY 11101, USA
February 17th – April 7th, 2019
Opening reception Sunday the 17th of February 2-5pm
Oliver Comerford will be exhibiting in a group show in New York titled Distance. Curated by Steve Locke and Betsy Alwin, Distance looks to the physical, chronological, intellectual, emotional, and geographic dimensions that the concept of distance entails. This exhibition brings together the work of alumni from the Skowhegan school of painting. The curators were further inspired by Solmaz Sharif’s poem, Look, which explores consequences that result from perceptions of difference and distance. This exhibition includes works by artists of varying ages, from various cultural backgrounds, who work in various locations around the country and around the world. Although the works in Distance all can be called “works on paper,” the diversity of shapes, sizes, materials and techniques reflects the variety of contemporary art practices encompassed under that single rubric.
15 February – 13 April 2019
The Print Studio Posters is currently on show in the Temple Bar Galleries and Studios Atrium space. This exhibition showcases the variety of screen printed posters made by Robert Armstrong and Joe Hanly throughout the 80’s from their time running The Print Studio. In addition to their artistic practices Armstrong and Hanly produced posters for all manor of events throughout Ireland, these hand printed works were a necessity in a time when photoshop and other design programs weren’t so readily available, the resulting images bringing together high levels of both skill and artistry.
On the 20th of February you can catch Robert and Joe in conversation with John Graham in Studio 6, where they will discuss the exhibited works. Admission is free but booking is required.
Solstice Arts Centre
Railway Street, Navan, Co. Meath
Opens Saturday the 9th of March at 2.30pm (closes Thursday 2nd of May)
Alice Maher will be exhibiting work in The Solstice Arts Centre’s upcoming show Music + Maker. This project draws together artists, musicians and composers, and produces works built of this interdisciplinary collaboration. The exhibition will be opened by Simon O’Connor, composer and Director of The Museum of Literature, Ireland.
To mark the opening of the exhibition, join Director of Solstice Belinda Quirke for an In Conversation with exhibiting artists /composers and improvised performances by Irene Buckley & Elaine Cowley (from Crevice) and Colm O Hara (trombone).
Nevan Lahart will be exhibiting works in two shows in the UK. The first being, ‘P is for Portrait’ which will present the selected works of 18 artists, the second exhibition is titled, ‘Your face is Functional’. Both shows will take place at the new Art House in Worcester and are being curated by Nathaniel Pitt in association with Division of Labour.
Armed Men by Mick O’Dea opens in the Excel Gallery, Tipperary. The show will open Thursday the 31st of January at 7.30pm. In advance of the opening Mick will be in conversation with Historian, Dr.Noreen Higgins McHugh from 6.45pm- 7.30pm at the excel gallery, all welcome. The exhibition will be opened by special guest Dr.Martin Mansergh.
Stephen Loughman will be exhibiting work in VISUAL Carlow as part of an exhibition of works celebrating the life and career of Stephen McKenna. This exhibition will be a retrospective of McKenna’s career, however, the artist’s legacies will also be acknowledged through a group show of works by six artists who found influence in McKenna’s techniques, processes and friendship. Isabel Nolan, Stephen Loughman, Mairead O’hEocha, Eithne Jordan, Adam Bohanna and William McKeown (1968–2011).
‘And Still You Shine For Me’ oil on canvas, 2017
This coming February Kathy Tynan will be undertaking a residency in The Sirius Arts Centre, Cobh. Sirius is an arts centre that serves as an intermediary between art and the public that endeavours to raise public awareness of art. It offers developing opportunities for both emerging and more established artists from both Ireland and abroad. The programme is dedicated to the facilitation and development of artistic expression, with additional community programming that encourages exploration through direct participation in the arts. The residency programme is designed to offer artists the opportunity to research and develop their practices and to engage in dialogue with Sirius, other organisations in Cork and the surrounding community. While on residence Kathy will carry out research for an upcoming show in the centre later in the year.
Congratulations to Paul McKinley on the acquisition of his work ‘Lido’ by The Arts Council of Ireland. The Arts Council have a proud history of purchasing excellent and ambitious works reflecting the practise of artists working in Ireland today.
This work will be included in a collection with some of the countries leading artists, including Amanda Coogan, Diana Copperwhite, Willie Doherty, Damien Flood, Siobhán Hapaska, Barbara Knezevic, Clare Langan, Mairead O’hEocha, Tony O’Malley and more.
Make Haste, Slowly
Return Gallery Goethe-Institut Irland, 37 Merrion Square, Dublin 2.
A collectively curated, scripted, performed, and presented exercise in radical pedagogies by the MA Art in the Contemporary World: Jack Cole, Dominique Crowley, Padraig Cunningham, Stephanie Deady, María del Buey, Tamara Derksen, Nicole Di Sandro, Brendan Fox, Kate Friedeberg, Valerie Joyce, Seánan Kerr, Heidee Martin, Grainne Murphy, Orlaith Phelan, Natalie Pullen, Éimear Regan, and Laura Skublics.
With artworks and collaborations featuring Basil Al Rawi, Jane’s Bees, Jasmin Marker, Repeater Collective, Noel Sheridan, John Smith, and David and Sally Shaw-Smith. Presented in the context of Liam Gillick’s Denominator Platform 2018, specially commissioned by Art in the Contemporary World for the Return Gallery.
The exhibition runs until the 12th of January 2019.
Vanessa Donoso Lopez is the currently situated in the Barcelona international residence for artists and researchers (Jiwar). This is a residency that hosts and supports all professionals whose work is based on or inspired by urban space. Located in a heritage house with a 700 sqm backyard garden in the heart of Gracia district, Jiwar Residency is unique for its space and environment, it is a place where to create and share.
The concept of the project is inspired from the Mediterranean tradition of Jiwar, an arab word which literally means neighbourhood. Jiwar refers to the art of establishing a creative and sustainable relation between neighbours in a district. Beyond this meaning, Jiwar evokes a philosophy of life that consists of neighbouring values and bridging experiences. Jiwar Residency promotes inter-cultural and interdisciplinary exchange in the district as well as the city of Barcelona.